NEWS: A Carolingian Masterpiece: The Moutier-Grandval Bible (London, The British Library, Add. MS 10546).
On Christmas Day of the year 800, Charlemagne, King of the Franks, was crowned Europe’s first Holy Roman Emperor by Pope Leo III. Many people, including Charlemagne himself, saw the empire he had established (called Carolingian in his honour) as a continuation of that of the Romans, and the Christmas ceremony in Rome confirmed this in the eyes of the world.
Charlemagne was committed to resurrecting the classical scholarship of Greece and Rome that many felt was lost during the so-called Dark Ages, and he gathered intellectuals from around Europe to his court in Aachen. One notable recruit was the English cleric Alcuin of York (c. 735 – 804), who joined Charlemagne’s ambitious project around 781. Alcuin became the leading figure in the group of scholars and artists assembled to stimulate the cultural revival that became known as the ‘Carolingian Renaissance’. This Renaissance was focused on Charlemagne’s Court at Aachen (Aix-la-Chapelle) and monasteries such as Tours, where Alcuin was abbot.
One of Alcuin’s contributions was to produce an emended version of the Latin Vulgate Bible. Subsequently a number of single volume Bibles were produced by teams of scribes and artists at his abbey of Tours, for distribution around Charlemagne’s empire. We are delighted to announce that the one of the great products of that scriptorium, the Moutier-Grandval Bible, made under Abbot Adalhard (834-843), is now available online on the Library’s Digitised Manuscripts website (click here).
This immense pandect—it is an enormous 495 x 380 mm, and has 449 folios—is one of three surviving illustrated copies produced in Tours in the 9th century. The four full-page miniatures reveal this manuscript’s debt to classical art. The decorated initials are followed by square capitals and uncials which lead into the text script, which is a form of caroline minuscule, upgraded here by the introduction of some variant letter-forms such as ‘a’. Some twenty different scribes worked on the manuscript, a signal of the scale of book production at Tours during this period.
The manuscript takes its name from the monastery of Moutier-Grandval, in the canton of Berne, Switzerland, where it was housed from at least the 16th century until the 18th when it made its way into private hands. Little evidence exists concerning the Bible’s early history, but it is possible that it belonged to Moutier-Grandval from the very beginning, as the Tours scriptorium routinely produced manuscripts for use in other foundations.
The enormous size and weight of the Moutier-Grandval Bible, as well as the fragile state of its binding, made it a particular challenge for us to digitise. A special cradle was employed to safely house the manuscript during photography, and a team of experts from a number of departments in the British Library worked together to transport, tend, and watch over it during the days of filming.
Special thanks are due to Andrea Clarke, Kathleen Doyle, and Julian Harrison of the Medieval and Earlier Manuscript department, Ann Tomalak and Gavin Moorhead of the British Library Centre for Conservation, and Antony Grant, Senior Imaging Technician.
Posted by Sarah J Biggs